By Sam Watermeier

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The Bourne Ultimatum.” “Quantum of Solace.” These films are (in)famous for their frenetic camera work.  Their styles are intended to give the films a sense of gritty realism when in reality, it makes viewers even more aware they are watching a movie. All illusion is lost due to consciousness of the purposely sloppy style of the camera work. Many people are unable to differentiate between good and bad cinematography. When it comes to cinematography, these days, less truly is more. Here are some recent examples of great, understated cinematography.

“There Will Be Blood” (2007)

It is strange for such a violent, intense film to be shot so gracefully. This film proves that ferocious subject matter does not have to give way to frenetic camera work. Stillness can be just as unsettling as relentlessness. More importantly, the serenity of Robert Elswit’s cinematography here mirrors the composure of the main character, Daniel Plainview, as an oilman. The fact that the look of the film never evolves also reflects Plainview’s stubbornness and drive in business.

“Fargo” (1996)

This is another film that contrasts violence with beauty both visually and thematically. Its dark material and grim, wintry setting contrast with its beautiful cinematography. More importantly, though, “Fargo’s” plot contrasts people’s capacity for good with capacity for evil, a theme reflected in the camera work.

“The Wrestler” (2008)

The restraint director Darren Aronofsky shows with this film is truly shocking. He is known for his flashy visual style which ultimately distracts the audience in films such as “Requiem for a Dream,” “Pi” and “The Fountain.” However, with “The Wrestler,” he holds back visually, allowing viewers to immerse themselves in the story and characters. He exposes the main character, wrestler Randy Robinson, in a harsh, gritty light, bringing him down to a human level. This separates the film from other sports dramas such as “Rocky” and “Ali” which make their subjects appear overwhelmingly heroic and larger than life. “The Wrestler,” with its naturalistic camera work, also takes on the quality of a documentary or reality television. This film is infused with truthfulness.

“The Dark Knight” (2008)

This is one of the few action films of late not to feature shaky, hectic camera work. The grace of the camera work adds to the majestic quality of the comic book material.

“Cache” (2007)

Many complain that the stillness of this thriller made it boring and frustrating. However, those critics fail to realize that this film is intended to be a radical “anti-thriller.” It refuses to please the audience with instant stimulation like most American thrillers. It forces the viewers to wait and think. If you’re up for the challenge, this is a uniquely powerful film experience.