By Tracy Sun
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One of the most prolific musicians of all time, Conor Oberst returns with yet another album titled “Outer South.” Having released over 20 full-length recordings encompassing solo work and five bands before the age of 30, this time around, Conor Oberst and the Mystic Valley Band do things a little differently. Previously known for his vulnerable and shaky vocals while singing about heartache, womanizing and politics, Oberst goes on a totally separate path with “Outer South.” Seven of the 16 songs aren’t even sung by him, and Oberst genuinely sounds like he’s just jamming with his bandmates and having fun. Although this might seem like a move in the right direction, the sometimes messy-sounding compilation of songs lacks refinement and interest.

Oberst’s choice to include the vocals and lyrics of his bandmates proves to be democratic but was not a smart decision. With the exclusion of “Big Black Nothing,” the songs written by the other members of the band falter in comparison to Oberst’s. The lengthy album could have been easily cut down by getting rid of the lesser quality tunes. The album seemed to drag on and on, especially during the parts where Oberst wasn’t the lead vocal. Some editing of the arrangements would have been much appreciated.

The lack of a definite sound and direction appeared to be the purpose of “Outer South.” There was an absence of clarity and lucidity in the sound and feel of the album. It felt cluttered at points and required the conviction and motivation Oberst usually possesses. The variety of songs wasn’t necessarily the bad part, but the fact most of them developed into a disorderly mess didn’t come off so well.

However, the album isn’t without it strong points. The first track, “Slowly (Oh So Slowly),” and “Nikorette” appeal to the audience with its poppy and light-hearted feel, while the acoustic “White Shoes” gives listeners a semblance of his old days with Bright Eyes. He makes “Roosevelt Room” appealing by actually engrossing himself in the song and without a doubt resembles Bob Dylan in “Ten Women” with chilling similarity. The variety of his vocals provides fans with a reason to appreciate his talent and craftsmanship. 

The album is by no means horrible but could have been measurably better with a few critical modifications.  A shorter, more precise and lyrical and vocal monopoly would have given listeners a more enjoyable experience. It is highly doubtful anyone would play “Outer South” over and over again, but it shouldn’t be totally brushed over. With a good number of memorable tracks, the album doesn’t totally disappoint; however, it won’t be the reason why a person falls in love with the music of Conor Oberst. 

Conor Oberst and the Mystic Valley Band

“Outer South”

Lyrics:
B

Rhythm:
C

Tone:
B

Overall:
C+